'Awake, Arise!'
Soprano: Nina Bennet
Organ: Philip Scriven
JS Bach: Three Chorales from Cantata 'Wachet auf, Ruft uns die Stimme', BWV 140
Verdi: Tacea La Notte, from Il Trovatore (Soprano solo)
Lehar: On My Lips Every Kiss is Like Wine (Soprano Solo)
Sandström: Det är en Ros Utsprungen
Hadley: I Sing of a Maiden
AUDIENCE CAROL: Lo he comes with clouds descending
Stanford: Magnificat, from Evening Service in G
----Interval----
JS Bach: Fallt mit Danken, from Christmas Oratorio
McDowall: Christ is the Morning Star
Wagner: Der Engel (Soprano Solo)
Gershwin: A Foggy Day (Soprano Solo)
Bennett Scott: Take Me in a Taxi Joe (Soprano Solo)
McDowall: A Winter's Night
AUDIENCE CAROL: O Come O Come Emmanuel
An evening of music for Advent and Christmas.
Reviews
"Waverley Singers kick off Christmas at Church of St Lawrence in Alton"
An edited version of this review by Lars Mosesson was published by the Farnham Herald on 23 December 2022:
With their concert last Saturday, the Waverley Singers once again got the Christmas season off to a bright and uplifting start. “Awake, Arise! Music for Advent and Christmas”, in a packed St Lawrence’s Church in Alton, was a happy mixture of music ancient and modern.
Each half began with pieces by JS Bach. His wonderful music is notoriously challenging for singers, but under Richard Pearce’s inspiring conducting the Waverleys rose to the occasion. They first sang two chorales from “Wachet Auf” and, in between, Philip Scriven continued to show his extraordinary ability in an organ solo from the Cantata. The choir began the second half with “Fallt mit Danken” from the Christmas Oratorio, a particularly fitting piece.
The guest-soprano, Nina Bennet, accompanied by Richard Pearce on the piano, sang a range of music in a voice that is clear but warm, even at the highest notes. Starting with Verdi’s “Tacea la Notte” and Lehar’s “On my Lips”, she returned with Wagner’s “Der Engel”, Gershwin’s “A Foggy Day”, and finally “Take Me in a Taxi, Joe”! She sang flawlessly in each genre, which is a rare ability.
The programme was completed with Stanford’s Magnificat in G, Sandström’s arrangement of a Praetorius carol, Hadley’s setting of “I Sing of a Maiden” and two recent pieces by McDowell, including her settings of carols in English, Latin, French and German. The audience was also invited to join in the singing of two carols – in English.
Waverley Singers produce consistently interesting concert performances of high quality, in a relaxed atmosphere. We are very lucky to have such talent performing regularly across our region, and I would encourage anyone to check their website for future events.
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